Since swapping Dublin for Los Angeles, hotly-tipped indie rockers La Rocca have experienced all the ludicrous pleasures and extremes of the City of Angels. Here, they regale us with tales from their California exile.
Certain artists are blessed with the ability to say something poignant and meaningful with their music. On the evidence of this eopnymous record, Gavin DeGraw is not one of them.
"The Joshua Tree" clarifies how U2's vocation has become the revival and renewal of rock and the recovery of its most romantic values. It also highlights the group's new commitment to the song. Review by Bill Graham
We asked the fans to vote for U2's Greatest Hits and they did - in their thousands. The result is a selection of 20 tracks which, without doubt, would combine to produce a record to rank among the weightiest and most powerful anthologies in the history of rock. The full track listing is not without its controversial selections and omissions, however. Bill Graham and Niall Stokes take us through the fans' vision of the fab four's dream album.
For many people it is U2's greatest album. Twenty years on, to mark it's re-release, Colm O'Hare talks to Daniel Lanois and reflects on the extraordinary background to a monumental album.
From "Out Of Control" to "All I Want Is You", Neil McCormick presents a major critical retrospective on the complete recorded works of U2, the band who went from being one of the world's worst cover groups to become a leading force in modern Rock'n'Roll
It was inflight double entendres all round as Bell X1 donned cabin crew attire for a special Hot Press photoshoot. When not showing an unhealthy interest in women’s clothes and fancy Raybans, they talked about their chart-topping new album Blue Lights On The Runway, their imminent breakthrough in the US and freezing their arses off on The Late Show with Dave Letterman
"The Joshua Tree" clarifies how U2's vocation has become the revival and renewal of rock and the recovery of its most romantic values. It also highlights the group's new commitment to the song. Review by Bill Graham
When we last left U2, at the conclusion of 1997’s Pop, they were marooned on a spaghetti Golgotha, shouting, “Wake up dead man!” at a god who had apparently reneged on his promise to live forever. Well pilgrims, here’s the resurrection shuffle.
